The staircase leads higher and higher. Lights begin to circle everywhere around. And then the voice kicks in and brings us straight into the party. Like many of Norman’s songs, this one makes extensive use of sampling. There’s a beautiful contrast between the melody’s soft, meandering foundation and the intense percussion and vocal samples. 1998 is right here, right now again and it’s awesome.
This is one intense piece of soul-blowing song. The ethereal mystic vocals, the hypnotic percussion and the melancholic strings are woven together into a noble flow that graces the beauty of existence upon the eardrum. It’s one of those melodies that I’d use to describe life without using words. I’m curious if anybody can translate what she’s saying.
Follow the gentle wavy sound bridge right into the heart of this disco cathedral. The relentless pounding will try to nail the sailing melody into the ground, but the sound beast still ends up soaring higher and higher. Will it eventually escape? It’s up to the listener to decide.
Oh, and make sure you check the YouTube version. The song’s video is awesome!
This one will take you places. Just close your eyes, relax and let the brain massage begin. The song is a bit repetitive, but it’s one of those fortunate cases when that’s exactly the point. Some melodies let you sit still while they show you their many different landscapes. This song is more like a vehicle. Get on board and navigate your own imagination. The rhythm is steady and reliable, the sound is rich and stimulating. And don’t be surprised if you’re tempted to move your body either.
This song, as well as the album it comes from, came as a rather big surprise for me. I hadn’t listened to ATB in many years. For me, ATB was synonymous to his famous single, “9PM (Till I Come)”. I was quite impressed by the difference in style between 1999 and 2014. 15 years is a long time so evolution isn’t that much of a surprise, but I was really happy to see where the evolution of ATB led. There are a lot of great tracks on “Contact”. It’s an album I can highly recommend.
This is one song where the rather lengthy intro is totally worth it and does a great job of laying the ground for the coming of the mighty dancing droids. The melody sparkles to life soon enough, like a champagne that was rattled for far too long.
It doesn’t take long for the “opposing forces” to show up. To contrast the happy tinkling come the rowdy bass worms. These party animals waste no time in burying deep into the eardrum. They proceed and engage in a thoroughly good time. As the song progresses, the lows get lower and the melody becomes a panorama of a shifting canvas of well-rounded sound textures.
Oh, my Music, I’m fascinated by you. Sometimes you blow my mind. This song is like a steady, patient wind that will either freeze or melt anything in its path, depending how you choose to feel it. The flawless punctuation will make sure that whatever path you take will turn into a memorable adventure. Just hit play and you’ll understand what I mean by “punctuation”.
I always had a soft spot for minimal electronica. This melody hit me straight in the headheart. In the seven months that have passed since I discovered this tune, it has not yet been dethroned as “song of 2017” and I’m “losing hope” that I’ll come across anything better. But paradoxically, I also hope I won’t.
This song strikes a sublime balance between mood, diversity and calmness. There is just enough going on to make it a highly entertaining listen while in the same time keeping it a well within the threshold of something you can meditate on. This well-arranged combination of electronica and air instruments has brought to fruition a splendid mood-setter and journey song.
A guitar passed through several filters joins forces with sweeping electronic textures, setting the mood before the monolithic beat arrives. Echoing and contrasting the tribal-industrial feel of the rhythm is an airy female voice sample, cleverly intertwined with the electronic arrangement. A beautiful mood-setter by one of the best electronica bands hailing from Romania.
You can’t play this song. It plays you. If you let it, it’ll stretch your mind far towards funkyland and load it up with a sphere of crazyjoy. Then, the intellectual bow will be fired and the ball of crazyjoy will be shot back into our reality with a noisy twang. It will reach Earth at full power, trumpeting and tip-toeing its chaotic-yet-charming dance, changing tempo, keeping the ear guessing at what’s going to play its drum next.
It’s one of The Crystal Method’s most lyrically-inspired songs. It’s also one of the more mellow ones – this tune is not as danceable as some of the band’s other creations. Instead, they wisely opted for crafting an intricate arrangement of atmosphere-enhancing sound textures. These are the perfect accompaniment for Hanifah Walidah’s voice, as it punctuates the flowy instrumentals with lyrical surgical strikes.
This is one of those times when a lot can be communicated through not so many words. Two of the song’s verses in particular have impressed me: Open like a child’s mind? / But then you start talkin’. I interpreted this as “a child’s mind is open until it starts talking”. Food for thought: just how much is language restricting the mind’s full and total openness? Isn’t language to the mind what the lines on millimeter paper are to a virgin canvas?