Thirsty for your imagination, a whirlwind of percussion and crispy sound textures brings her voice from the cusp of an ocean storm. Listen carefully and get lost deep within the intricacies of a world-class electronic orchestra. And don’t feel too bad when it drops you out just when you want more.
Mysterious and epic, this tune is a transporter to other worlds. Transporter Songs aren’t easy to build. First of all, it takes a special kind of wind to move our soul’s sails. Mystic incantations can save us from the storm, but it’s Lori’s voice that fills the soul’s ethereal sails. Now, we’re prepared for the oceanic union underneath the guiding celestial bodies.
“Will my feet touch solid ground again?”
There’s no journey without waves, no life without vibration. The melody’s pulse is always with us – the patterned avatar of ocean waves. But just like getting lost at sea, a storm is in the making…
The dance of airwaves inside our ears is one of the joys of being sensorial creatures. And this one is as sensual as songs can get. Wrap yourself in the passionate whispers of this mysterious duet. Let the suggestive guitars and synths drag you inside a den of audio pleasure.
It was very tempting to start with “I liked it, I liked it a lot”, but I think this is a better place for the predictable line.
What happens when sweet verses meet a vulnerable, honest voice to bless their words and a sprawling, effervescent electronic orchestration? The result is a tune that is absolutely… nutritious. The words are food for thought and the crunchy sound textures are like a shower for the eardrum.
When you’re in search for beautiful vocals coupled with a strong and evocative voice, look no further than Delerium. One day, I’d like to dance this song together with you. Yes, with you, You!
The first thing that stands out on this track is Susanne’s amazing voice. The instrumental is subdued and makes a lot of room for her to unfold. And unfold she does, showing magnificent strength and range. But don’t worry, there’s much more that this song has to offer besides the convincing vocal performance (which is among the best I’ve heard in years).
Synth veils will soon join the singer and lead us into the lively portion of the melody. It’s not long until we’re treated with a beautiful orchestral arrangement. My only gripe with the composition is the ending, which is not in such a good harmony with the rest of the melody.
The live performance is beautiful in its own right and I highly recommend watching it.
Leave it to Hybrid to turn an already good song (by Depeche Mode) into a mixture of lush, rich sound with a convincing buildup and a beautiful detour that leads to a sparkling climax. This is a hybrid made up of all the goodness of electronica and the richness of the human voice. Oh, and it’s anything but silent, of course :).
This one starts off with an arguably unremarkable, 1 minute long intro. Don’t get me wrong, it’s not bad. An intro is valuable to emphasize the part when the melody gets going. I just think that this intro doesn’t really do justice to the song.
The melody is groovy yet dreamy, showcasing the strong, evocative voice of the one called Jaren. She’s accompanied by an army of synths and sparse piano arrangements. Rhys Fulber (of Delerium fame) doesn’t waste a beat here (which I measure by thinking if I would like the song if I would listen to the instrumental-only version). Even after a couple of listens I can still find new intricate sound textures. The lyrics are quite good too and that’s always a bonus.
Baby Alpaca’s “Sea of Dreams” is a calm, beautiful song, which is why I linked it below as well. Turbotito’s remix is, however, more to this (dreamy) listener’s linking. The clever use of echo and resonance gives the song a different (dreamy) texture.
Both versions of the song are equally evocative and they share the same good (and dreamy) lyrics. They are both relying on lots of reverb to invoke the (dreamy) mood. It’s due to my love of electronica that I choose the remix version as title (and main feature) of this (dreamy) Weekly Song entry, even though you can find both (dreamy) songs here.
From the very first minute of this song we are greeted by an impressive array of instruments and motifs. The mélange of electronica, choirs and acoustic instruments continues to mature well into the second minute. Only then is the melody truly taking off as Kristy’s voice blossoms.
The acoustic and vocal part of the song is transported into the future by means of shiny, spotless electronic beats. Evocative choirs join Kristy as she sings her way towards the ecstatic end.
This is a journey of surprising diversity and intensity. Eyes-closed listening is highly recommended.
A diverse instrumental landscape will delight the listener throughout this meaningful lyrical journey. The song begins with an evocative arrangement that sets the stage for the uplifting message. Without Harland’s voice this would have been “just” a good fusion between acoustic and electronic music. Not only does she deliver, but the lyrics are lovely too.